Exhibitions

Sculptures and drawings on resources, power and technology, between ecological possibility and structural inequality.

Muhka presents a new site-specific installation and performance by Belgian multidisciplinary artist Stef Van Looveren as part of the IN SITU programme.

Following the trans-national format of the 2023 edition, the Kyiv Biennial 2025 will again take place in multiple locations across Europe. Muhka presents a stand-alone exhibition that acts also as an extension of the main biennial exhibition held at the newly-opened Museum of Modern Art in Warsaw (MSN).

The first institutional solo exhibition of Özgür Kar in Belgium, MALAISE, was on view as a site-specific installation. The presentation included theatrical sound and a video installation that explored themes of collective unease, stagnation, and endurance.

With Out, Bruno Zhu transformed a museum gallery into an impressive labyrinth of rotating walls, inviting visitors to shift boundaries and look anew.

The first solo exhibition of Berlin-based Polish artist Agnieszka Polska in Belgium, 'Flowers on the Sun', featured a selection of recent works, including her latest film, 'The Book of Flowers' (2023), created with the assistance of AI-powered tools.

In his first institutional solo exhibition, Vedran Kopljar explored how systems produce — and disrupt — meaning. Through paintings, words, and game rules, he created a closed circuit where logic, poetry, and doubt converge.

In 'Beyond the Depths', Viktor Brim brought together video installations addressing resource extraction, geological time, and political power structures. His monumental images of mining landscapes confronted visitors with the often invisible impact of ideology and industry on our environment.

As part of europalia georgia, Muhka brought together artist Elene Chantladze and the designers of Rooms Studio in a poetic dialogue between image and object. The exhibition explored how interior and interiority can serve as sources of resistance, freedom, and imagination.

In his first solo museum exhibition, Ignace Cami breathed new life into forgotten forms of heritage. With 'RE:ANKER', he explored how archaic and hyperlocal elements can regain meaning today. Installations, performances, and participatory actions – from freshly baked speculaas to a polyphonic choir – made heritage into something playful and alive.

Tenant of Culture created a monumental installation for Muhka using discarded clothing and construction materials. The exhibition explored how fashion, waste, and value are interconnected.

In 'Anamnesis', Tarik Kiswanson brought together poetry, performance, sculpture and video in a sensory exploration of memory, identity and time. With levitating forms and layered texts, the artist invited us to reflect on who we are, what we remember — and what we forget.